After an absence whose days were full but not fertile, here are Kate Forsyth’s Bitter Greens, Playing House by Amy Choi, and the wonderful Adam Johnson’s The Orphan Master’s Son. Astute (one may say time-fortunate) readers may note the newish and natty little quote hanging around recently added reviews. This quaint folly is my editor’s […]
It has been an absolute delight to work with the TRACE4101 team to bring TRACE 2017 to the public. TRACE4101 is a biennial contemporary art exhibition and auction that takes place throughout the streets of West End (hence the “4101”: we dig our postcode in these parts). And the art is outstanding. I’d fallen in to […]
There’s this guy who lives in my street. Called Dutch. Rides a motorbike. Looks like the type of cat who’s already gone through a few of his nine lives. Lives in the front half of a rented place at the bottom of the hill. Dutch, of course, is not his actual name. I don’t know […]
