There are a lot of lovely pictures to accompany my article about Richard Bell’s EMBASSY2019 in Venice. Like this one.
COVID stole music festivals, COVID stole the Kurilpa Derby. For me, living in Queensland, COVID has taken much less than it has from most. I am not complaining. But I fervently hope COVID won’t run off with the APT10.
After an absence whose days were full but not fertile, here are Kate Forsyth’s Bitter Greens, Playing House by Amy Choi, and the wonderful Adam Johnson’s The Orphan Master’s Son. Astute (one may say time-fortunate) readers may note the newish and natty little quote hanging around recently added reviews. This quaint folly is my editor’s […]
